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Facade in Red
Facade in Red
Mono screen print β intaglio ink and pencil on archival printmaking paper, 175gsm.
18Γ18 inch
2026
Edition: 1/1
This work is an original mono print made using intaglio inks applied directly to a mesh screen. Each impression is pulled by hand, producing subtle variations that render every print unique.
The imagery examines the relationship between built and natural landscapes, tracing the ways engineered forms and ecological systems shape, disrupt, and respond to one another over time.
AVAILABLE WORKS
The first image shows the work framed for reference. Each subsequent image represents the exact individual print available. Due to the mono printing process, images cannot be replicated. Each piece has a unique ID on the image for collectors to select the specific print and then choose framed or unframed.
FRAMING
Each frame is handcrafted in solid maple wood. Prints are set in a shadow box format, lifting the paper 1β off the glass. The glass is UV-protected, and the back is sealed with a dust jacket and fitted hardware, so your piece arrives ready to hang. These measures protect and preserve the integrity of the print.
Facade in Red
Mono screen print β intaglio ink and pencil on archival printmaking paper, 175gsm.
18Γ18 inch
2026
Edition: 1/1
This work is an original mono print made using intaglio inks applied directly to a mesh screen. Each impression is pulled by hand, producing subtle variations that render every print unique.
The imagery examines the relationship between built and natural landscapes, tracing the ways engineered forms and ecological systems shape, disrupt, and respond to one another over time.
AVAILABLE WORKS
The first image shows the work framed for reference. Each subsequent image represents the exact individual print available. Due to the mono printing process, images cannot be replicated. Each piece has a unique ID on the image for collectors to select the specific print and then choose framed or unframed.
FRAMING
Each frame is handcrafted in solid maple wood. Prints are set in a shadow box format, lifting the paper 1β off the glass. The glass is UV-protected, and the back is sealed with a dust jacket and fitted hardware, so your piece arrives ready to hang. These measures protect and preserve the integrity of the print.